Naming the Gods: Cy Twombly's Passionate Poiesis
Home
Chapter Sections
Chapter I : Caesura-ing the Visible
Chapter II : This Matter of Space/Making Space Matter
Chapter III : Orpheus descending, falling
Chapter IV: Leaving Traces and Making Marks
Chapter V: Dionysos: Performing Madness and Ecstacy
Chapter VI: Bacchus and the Folds of the World
Chapter VII: The Rubedo, La Véraison, The Reddening
Chapter VIII: Seeing and Being Seen/ The Spaces Between
About
Contact
Links
Naming the Gods: Cy Twombly's Passionate Poiesis
Home
Chapter Sections
Chapter I : Caesura-ing the Visible
Chapter II : This Matter of Space/Making Space Matter
Chapter III : Orpheus descending, falling
Chapter IV: Leaving Traces and Making Marks
Chapter V: Dionysos: Performing Madness and Ecstacy
Chapter VI: Bacchus and the Folds of the World
Chapter VII: The Rubedo, La Véraison, The Reddening
Chapter VIII: Seeing and Being Seen/ The Spaces Between
About
Contact
Links
Chapter Sections
>
Chapter V: Dionysos: Performing Madness and Ecstacy
p. 135: Nicolas Bertin, 'Bacchus and Adiadne', c.1710-15, Musée d'Art et d'Industrie, Saint-Etienne
<
previous
next
>
