Chapter Sections > Chapter VI: Bacchus and the Folds of the World

p. 143: 'Dionysos Holding a Kantharos', c. 480 BC, Berlin Painter, Harvard Art Museums/Arthur M. Sackler Museum
p. 144: Cy Twombly, 'Untitled', 2005, installation view Parts I and II, © Cy Twombly Foundation, Courtesy Archives Nicola Del Roscio. Installation view photograph by Rob McKeever, Gagosian Gallery
p. 145: Cy Twombly, 'Untitled', 2005, Museum Brandhorst, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 145: 'Dionysos and Maenads', detail, c. 500 BC, Kleophrades, Staatliche Antikensammlungen und Glyptothek, Munich, photograph by Renate Kühling
p. 146: Cy Twombly, 'Untitled', 2005, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 146: 'Dancing Maenads', c. 490 BC, Makron, © Antikenmuseum Basel und Sammlung Ludwig
p. 146: Cy Twombly, 'Untitled', 2005, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 147: 'Dionysos Leading Horai', Roman copy of Greek original, 1st century AD, Musée du Louvre
p. 147: Cy Twombly, 'Untitled', 2005, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 147: 'Dancing Maenad', c. 490 BC, Makron, © Antikenmuseum Basel und Sammlung Ludwig
p. 148: Cy Twombly, 'Untitled', 2005, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 148: 'Dancing Maenads', c. 490 BC, Makron, © Antikenmuseum Basel und Sammlung Ludwig
p. 148: Cy Twombly, 'Untitled', 2005, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 149: 'The Blonde Maenad', c. 500 BC, Kleophrades, Staatliche Antikensammlungen und Glyptothek, Munich, Photograph by Renate Kühling
p. 149: Cy Twombly, 'Untitled', 2005, © Cy Twombly Foundation.Courtesy Archives Nicola Del Roscio
p. 149: 'Satyr and Dancing Maenad', detail, c. 400 BC, Karneia Painter, Museo Nazionale Archeologico, Taranto
p. 149: 'Dionysos', detail, c. 500 BC, Kleophrades, Staatliche Antikensammlungen und Glyptothek, Munich, photograph by Renate Kühling
p. 150: Cy Twombly, 'Untitled', 2005, Museum Brandhorst, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 150: 'Dionysos with Kantharos', detail, c. 540-30 BC, Boston Museum of Fine Arts
p. 151: Cy Twombly, 'Untitled (Bacchus 1st version)', 2004, installation view, 2008. Installation photograph: Pavel Gorshkov (Courtesy Gagosian Gallery), © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 152: Cy Twombly, 'Untitled', 2004, (Bacchus 1st version V), Gaeta, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 152: Cy Twombly, 'Untitled', 2004, (Bacchus 1st version VI), Gaeta, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 153: Cy Twombly, 'Untitled', 1992, detail, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 153: Cy Twombly, 'Dionysus', 1975, Naples, © Cy Twombly Foundation. Courtesy Archives Fondazione Nicola Del Roscio. Photo Mimmo Capone.
p. 154: Cy Twombly, 'Untitled', 1992, Gaeta, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 155-6: 'Dionysos Diasparagmos, Paroxysm of the Ecstatic Crisis', detail, c. 450 BC, British Museum, London
p. 157: Cy Twombly, 'Untitled (Bacchus)', 2008, (Gaeta), © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 157: Cy Twombly, 'Untitled (Bacchus)', 2008, (Gaeta), © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 158: Cy Twombly, 'Untitled (Bacchus)', 2008, (Gaeta), © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio
p. 159: Cy Twombly, 'Untitled (Camino Real)', 2011, Gaeta, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio