Naming the Gods: Cy Twombly's Passionate Poiesis
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Chapter Sections
Chapter I : Caesura-ing the Visible
Chapter II : This Matter of Space/Making Space Matter
Chapter III : Orpheus descending, falling
Chapter IV: Leaving Traces and Making Marks
Chapter V: Dionysos: Performing Madness and Ecstacy
Chapter VI: Bacchus and the Folds of the World
Chapter VII: The Rubedo, La Véraison, The Reddening
Chapter VIII: Seeing and Being Seen/ The Spaces Between
About
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Links
Naming the Gods: Cy Twombly's Passionate Poiesis
Home
Chapter Sections
Chapter I : Caesura-ing the Visible
Chapter II : This Matter of Space/Making Space Matter
Chapter III : Orpheus descending, falling
Chapter IV: Leaving Traces and Making Marks
Chapter V: Dionysos: Performing Madness and Ecstacy
Chapter VI: Bacchus and the Folds of the World
Chapter VII: The Rubedo, La Véraison, The Reddening
Chapter VIII: Seeing and Being Seen/ The Spaces Between
About
Contact
Links
Chapter Sections
>
Chapter I : Caesura-ing the Visible
p. 2: 'Sophocles', Roman copy of Greek original, c. 400 BC, National Archeological Museum of Naples
p.3: Cy Twombly, 'Untitled', detail, "Roman Notes", 1970, © Cy Twombly Foundation
p. 4: Franz Carl Hiemer, 'Friedrich Hölderlin', 1792, Schiller-National Museum, Marbach
p. 4: Cy Twombly, 'Untitled', 1971, Museum Brandhorst, © Cy Twombly Foundation
p. 4: François Halard, Portrait of Cy Twombly, c. 2000
p.5: Cy Twombly. 'Lepanto', Part VII, detail, 2001, Museum Brandhorst, © Cy Twombly Foundation. Courtesy Archives Nicola Del Roscio