Naming the Gods: Cy Twombly's Passionate Poiesis
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Chapter Sections
Chapter I : Caesura-ing the Visible
Chapter II : This Matter of Space/Making Space Matter
Chapter III : Orpheus descending, falling
Chapter IV: Leaving Traces and Making Marks
Chapter V: Dionysos: Performing Madness and Ecstacy
Chapter VI: Bacchus and the Folds of the World
Chapter VII: The Rubedo, La Véraison, The Reddening
Chapter VIII: Seeing and Being Seen/ The Spaces Between
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Naming the Gods: Cy Twombly's Passionate Poiesis
Home
Chapter Sections
Chapter I : Caesura-ing the Visible
Chapter II : This Matter of Space/Making Space Matter
Chapter III : Orpheus descending, falling
Chapter IV: Leaving Traces and Making Marks
Chapter V: Dionysos: Performing Madness and Ecstacy
Chapter VI: Bacchus and the Folds of the World
Chapter VII: The Rubedo, La Véraison, The Reddening
Chapter VIII: Seeing and Being Seen/ The Spaces Between
About
Contact
Links
Chapter Sections
>
Chapter VIII: Seeing and Being Seen/ The Spaces Between
p. 222: 'Bacchus', 2nd century AD, Roman, Metropolitan Museum of Art
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